Press

The Big Takeover – Review of Holy Moly Record

“Nomadic songwriter Wilson Getchell (Wall-Eyed) lands in North Carolina to form the perfect band for his eclectic talent.

Holy Moly not only stands out as Getchell’s best songsmithing to date, but also his best sounding recording. Right away, “Ooh Rah Rah” kicks things off with a stomping ferocity featuring the gritty lead guitar of Kelley Otwell, whose virtuosity clearly marks the entire album, especially in the following “War to Wage” where his strings become heavy psychedelic bliss. The songs progress, marking bassist Keebler and drummer Tradd Yancey as extremely versatile musicians while exploring the various elements of Americana that clearly mark Getchell’s passionate, emotional sound. It’s the album he’s been waiting to make his entire career.

In this age of anxiety and distrust, it’s nice to sit back with a beer and just sink into music. The Forgotten Man have provided just that.”

Independent Clauses – Review of “Holy Moly” Single

“‘Holy Moly‘ – The Forgotten Man. This super-charged indie-rock tune has the whoa-ohs of street punk, the thrashing drums of a rock band, and country touches in the vocals. Yet there remains an overall sense that this could have been a folk tune at one point, albeit in a slower tempo. It’s a blast to hear lead singer Wilson Getchell belt out, “HOOOO-lllly MOOOO-llllyyyyy” in the chorus.”